The new Ki Pro Ultra Plus is ideal for recording multi-cam shoots in HD multi-channel mode, and 4K/UltraHD recording and playback in single-channel mode. Ki Pro Ultra Plus is housed in a compact, easy-to-operate, standalone 2RU half-rack and has broad I/O flexibility and connectivity options including 3G-SDI, HDMI 2.0 and optional fiber connections.
Ki Pro Ultra Plus captures pristine 4K/UltraHD and HD video to widely accepted production codecs including Apple ProRes and Avid DNxHD MXF. Four channels of HD can be recorded simultaneously as Apple ProRes files, each with different compression profiles as desired, to robust AJA Pak 1000 SSD media. Ki Pro Ultra Plus includes the proven Ki Protect technology, ensuring that in the event of power failure or inadvertent withdrawal of a Pak Drive, recently recorded footage is always secure.
All four channels can be displayed on Ki Pro Ultra Plus’s LCD screen as a quad-split during capture for confidence monitoring, as well as the ability to output the quad-split over HDMI, SDI and even on the integrated browser-based web UI during capture.
FS-HDR is a new product delivering breakthrough HDR workflow conversion capabilities. Building on AJA’s flagship FS4, and incorporating the latest HDR technology from Academy and Emmy Award-winning developer Colorfront, FS-HDR provides HDR and Wide Color Gamut (WCG) processing and conversion for real time 4K/UHD and 2K/HD workflows. A 1RU, rack-mount, universal converter/frame synchronizer, is designed specifically to meet the HDR/WCG needs of broadcast, OTT, post and live event AV environments, where real time, low-latency processing, color fidelity and metadata handling are of paramount importance.
FS-HDR’s HDR/WCG capabilities leverage video and color space processing algorithms within Colorfront Engine™, specially-licensed by AJA from Colorfront, and developed by Colorfront’s CTO Bill Feighter and Lead Engineer Tamas Perlaki, both of whom are Academy Award-winners.