The brand new CBS show “Star Trek: Picard” chooses Cooke Optics Anamorphic/I Special Flair lenses
Star Trek: Picard, the highly anticipated streaming series from CBS All Access, relied on two complete sets of Cooke Optics Anamorphic/i SF (“Special Flair”) lenses to tell the story for the follow-up series to Star Trek: The Next Generation. Director of Photography Philip Lanyon’s goal was to give this new series a big movie adventure epic saga feel — while keeping fans in a familiar visual world.
“Almost all of the Star Trek movies have been shot using anamorphic lenses and so is the [CBS All Access] Star Trek: Discovery series, which switched to Cooke Anamorphic/i lenses in its second season,” explained Lanyon. “I was given the opportunity to shoot the second season’s sixth episode and I just fell in love with the Cooke lenses. I tested a lot of lenses for Picard and a lot of different looks. But in the end, the Cooke Anamorphic/i SF lenses gave me the exact look and control I wanted.”
Shooting with three ARRI Alexa MINI cameras — for double and often triple coverage — Star Trek: Picard had two complete sets of Cooke Anamorphic/i SF lenses consisting of 25mm, 32mm, 40mm, 50mm, 65 MACRO, 75mm, 100mm, 135mm, 180mm and 300mm focal lengths. They are called “Special Flair” because they allow DPs to “kick” the flares, bokeh and other aberrations “into new visual territory”. All cameras and lenses were supplied by Keslow Camera in Culver City, CA.
“The Cooke Anamorphic/i’s gave me a large virtual image on the sensor, very much equal to large format on a spherical lens,” explained Lanyon. “The Star Trek language sits well with anamorphic for Picard, giving it that big-screen look and feel.”
The sets for Star Trek: Picard were specifically designed for 2.39:1 anamorphic, with the Cooke Anamorphic/i SF 25mm used for almost every scene to show the expanse of the huge sets being used. “The 25mm is the equivalent of a 12mm or 14mm spherical giving us the freedom to use the space and in showing the hidden corners that the audience wouldn’t normally see,” said Lanyon. “Add to that the practical lighting with no sense of scenes being lit off-screen and you get a very nice environment for the audience.”
Two other focal lengths stood out for Lanyon. “The 65mm MACRO is a great lens, especially for getting the details of what people are touching and interfacing with. Then there’s the 100mm. It’s just beautiful on faces. You get a nice portrait with a 50mm spherical equivalent width, showing off the backgrounds out of focus. It’s just beautiful.” Star Trek: Picard is available on the CBS All Access streaming (OTT) service in the U.S. – episode one premiered on 23 January 2020. Bell Media has distribution rights for Canada, while Amazon Prime Video has distribution rights for the rest of the world.