Gravity Media delivered the Australian Open 2026 with a bespoke international broadcast centre and IP production environment. Together, this formed the technical backbone for Tennis Australia’s creative, editorial and operational delivery of the tournament to audiences, as the company has claimed in a statement.

75 specialists from Australia, the UK, the Netherlands, Belgium and Germany designed, deployed, and operated the Melbourne Park broadcast centre. The team managed over 100 tonnes of fly-away infrastructure and more than 150 broadcast cameras across the precinct.

Across Melbourne Park, 172 camera sources were deployed, including:

• Spidercam above centre court.
• Sony HDC 3500 / 5500 cameras, with super slow-motion and ultra-motion camera channels.
• Robotic camera systems.
• 22 roving RF cameras and two remote RF robotic cameras delivering mobile and panoramic views across the venue.
• RF and communications network to try to support operations throughout the site, with 48 Bolero antenna positions enabling 150 belt packs for presenters, production staff, and rightsholders.

The production galleries and audio control rooms were housed at Tennis Australia’s headquarters and was connected via 500 metres of fibre and dual 700-gig data links to the central equipment room at the broadcast compound.

The facilities comprised 10 production galleries, nine audio control rooms, and 11 ViBox systems covering the outside courts. In total, the environment supported over 130 operating positions and more than 150 multiviewers displaying approximately 1,700 picture-in-picture sources.

Signal routing was managed through an IP and baseband system providing a 4,000 x 4,000 routing environment, while over 2,500 audio signals were handled through a hybrid Audio Live and Calrec solution.

Across the 15-day tournament, Gravity Media delivered more than 200 hours of coverage to international and domestic rights holders, including Nine Network in Australia, ESPN, Eurosport, CCTV, and WOWOW.

As part of the 2026 deployment, its objective was to refresh the technical furniture across the production facilities, replacing workstations that had been in service for more than a decade.

Additionally, Gravity Media delivered broadcast and technical facilities for the United Cup in Perth and Sydney, as well as the Brisbane International and Adelaide International.

For the United Cup, it provided outside broadcast production trucks and facilities in each city, accessing 28 cameras, multiple EVS replay and edit suites and Livetools equipment for use by teams and players. Additional bespoke fly-away production systems were implemented in Sydney so that Tennis Australia could integrate coverage from multiple cities into a “world feed” for delivery across international broadcast and subscription platforms.

The Adelaide International and Brisbane International were supported with outside broadcast trucks, using 22 cameras across each site to deliver bespoke coverage for Tennis Australia and its domestic and international broadcast partners.

Eamonn Curtin, Chief Commercial Officer of Gravity Media shares: “The Australian Open continues to be one of the most complex and rewarding productions in the world of live sport. Delivering this coverage is a true demonstration of the collaboration and expertise of our teams across Australia and Europe. 2026 builds on our legacy of collaboration and we’re proud to support Tennis Australia in bringing this iconic tournament to audiences everywhere”.