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Sobatech Group uses Blackmagic Design equipment for remote production of Spanish F4 and Eurocup-3
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OPINION | The Sagrada Familia, the latest instalment of Cinematic Live
BY-Editorial Team
July 1, 2026
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OBS roadmap: building a more distributed Olympic production model
BY-Daniel Esparza
May 22, 2026
NAB
The post-NAB Show 2026 landscape: there’s no single model anymore
BY-Bárbara Ausín
May 14, 2026
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Pressure at scale: how Eurovision Services prepares to power one of the most complex live broadcasts
BY-Daniel Esparza
May 11, 2026
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ANALYSIS | The live dilemma: what to delegate to AI without putting the signal at risk
BY-Santiago Romero Ruiz
April 29, 2026
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ANALYSIS | The dilemmas of AI from a copyright perspective
BY-Editorial Team
April 16, 2026
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Diversified on broadcast-AV convergence: “Every space is now a point of origination for live content”
BY-Editorial Team
April 16, 2026
Broadcasters
RAI Milan: the technical heart of Italy’s Olympic coverage
BY-Daniel Esparza
March 27, 2026
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C2PA: The challenge of ensuring authenticity in audiovisual content
BY-Luis Pavia
March 11, 2026
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